Listening to yourself is not always fun

I remember the first time I heard a recording of my voice: I couldn't believe that was me. (I still don't.) But I've learned a couple of things.

1. Hearing your poems gives an entirely different and very valuable take on them

2. Reading them aloud and hearing them are essential exercises during revision

When the poem breaks down in the reading it probably breaks down in the meaning as well. Keep this in mind. One of the things I see is that the music of poetry is often neglected. Remember, it should sound nice. Poems are meant to be heard. The sound and the meaning should inform each other in a symbiotic relationship. Often you can identify where this relationship breaks down by hearing your poem read by another.

Hate those text-to-voice voices? So do I. However, use them. We cannot always find someone to read our poems to us and, frankly, we shouldn't want to. Voice to text programs are freely available online. I use Text2Speech and there are certainly other more sophisticated ones available, some requiring download. Text2Speech has a 5,000 character limit which is pretty generous.

Despite the machine-like quality of the voices, you can listen for those points at which the flow breaks down, weakens; and you may then check the poem for similar thematic weaknesses that may want attention.

So, listen to yourself if you can. This will help your readings. Also, listen to your words spoken by another person (a valuable asset of workshops) or by a machine. In any event the result will be a better poem.

So long for now.

Go To Congress!

The Library of, actually. Now, there are lots of things governmental to bitch about and I'm at the head of the class in that all too frequently. It's all too easy to overlook the good and one of the goods is The Library of Congress website. You can get lost for days in there, longer if you want.

I particularly note, today, their list of poets reading from their own works. Note especially the external links list, the range covered. I don't know of a better list.

Outside of the academy I guess most of us hear poets at public readings. Sometimes we are favored with an invitation to a private reading. And, I'm not being harsh to say that dead poets don't read, to me anyway. The next best thing is to find recordings and the best way to do that is online. Listen and listen with text in hand as well.

Online you can replay the recording, something the living reader will likely not permit. This is a valuable asset. When I attend a reading I particularly like listening without the text in hand or in mind. I want to hear the poem without prejudice. Then, I would like to hear it and read it at the same time. I cannot because I'm just not going to ask the reader to re-read. With the online reading I can have it both ways.

So, the spoken word is now being made available at a variety of sources and today I recommend The Library of Congress. Go thou and listen.

In the next blog some words about hearing your own poetry.

Summer Reading; some poetry, some not

This is not about poetry, not directly anyway. Rather it's about where I find stimulating reading not necessarily for the summer. I direct you to the UC Berkeley summer reading list for incoming freshmen. I've found delightful reading from these lists over the years-- Snow Crash by Neal Stephenson is one example I remember reading while vacationing on the National Seashore, Cape Cod several years ago. It remains a remarkable reading experience. The books on Berkeley's list say a lot about what incoming freshmen might be expected to know. I hope the promise plays out in reality.

I think too that a Google search may turn up older versions of the list so you may have a lot of choices and will find something palatable, exciting and stimulating. In any event reading some of the books will ultimately enrich your poetry as all good learning will.

While on the topic of reading lists I now call to mind Alan Ginsberg's "Celestial Homework" reading list from a course he taught at Naropa in 1977. If I could I'd read all of it. The link takes you to the list which in turn has links to some of the works online. It's a marvelous way to find some grand and great writing and also a look into Ginsberg's own makeup, that of one whom The New Republic magazine (I think) referred to as a "major minor poet".

In all events, if you want to write, read!